Architectural Models:Materials, Fabrication and Conservation Protocols.Use of Imaging Spectroscopy and in situ Analytical Methods for the Characterization of the Materials and Techniques of 15th century Illuminated Manuscripts.Vibration Control During
Maney Publishing for the American Institute for Conservation of Historic & Artistic Works
The Use of Flexible Sticks for ClampingChoosing an adhesive for Exterior Woodwork through Mechanical TestingSource Code Analysis as Techical Art HistoryExamining and Conserving and Eygptian Anthropoid Coffin
Treatment of Waterlogged Archaeological Wood using ChitosanConservation of Photodegraded Asian Lacquer SurfacesArt Conservation Between Theory and PracticeRed Stains on Archaeological Leather
Short Communication: Rare Attraction Evaluating Magnetic Primers for Mounting TextilesPhotographic Paper XYZ: De Facto Standard Sizes for Silver Gelatin PaperA Model Approach for Finding Cleaning Solutions for Plasticized Poly Vinyl SurfacesHenri Mati
3D Laser Scanning of Historic Molds for Documenting the Richard-Ginori Factory Collection.Pursuing Automated Classification of Historic Photographic Papers from Raking Light Images.Toward an Ontology of Audio Preservation.Skin-Covered Masks from the C
Natural Yellow Chalk in Traditonal Old Master Drawings.Multimodality Imaging of Daguerreotypes and Development of a Registration Program for Image Evaluation.Comparison of a Solid-State Luminaire to Tungsten-halogen Lamps for Displaying Museum Objects.
Oil-Based House Paints from 1900-1960: An Examination of their History and Development, with Particular Reference fo Ripolin Enamels.Picasso in the Metropolitan Museum of Art: An Investigation of Materials and Techniques.Scientifically Investigation Pi
Conservation of a Rubber Terrain Model Map from World War II.Evaluation of Coating Performance on Silver Exposed to Hydrogen Sulfide. Fluorimetric Analysis of the Constituent Dyes within Daylight Fluorescent Pigments: Implications for Display and Prese
An Investigation into Japine Platinum PhotographsAn Evaluation of Selected Retouching Media for Acrylic Emulsion Paint16th-17th Century Italian Chiaroscuro Woodcuts
