American Institute for Conservation of Historic & Artistic Works
Use and Identification of Tikumu (Celmisia Species, Asteraceae) in artivacts of New Zealand Origin.Natural Black Chalk in Traditional Old Master Drawings.Condition Problems Related to Zinc Oxide Underlayers: Examination of Selected Abstract Expressioni
Choreography and Team Treatments: Three (Very) Oversized Textiles
So Far Away From Me? Conservation and Archaeology
The Preservation and Conservation of Electronic Music: Beats, Bits, and Bytes
Reproducing Conservators: Health and Safety for Preconception, Pregnancy, and Beyond
Reaching Out and Stretching Far, Albuquerque 2012
BPG Discussion Groups: That was Then, This is Now
Getting Greener and Creating the Optimal: The State of Sustainability Research and the Preservation Environment
A New Strategy for Assessing Off-Gassing from Museum Materials: Air Sampling in Oddy Test Vessels
Connecting to Conservation: Outreach and Advocy - A New Approach to the Annual Meeting
AIC in the Heart of Philadelphia.Conservation in the Twenty First Century: Will a Twentieth Century Code of Ethics Suffice?
Looking Out and Looking In: A Perspective on Public Outreach
Unpacking the Case for On-Site Visits
Research/Technology Transfer: Exchanges with Cultural Heritage Preservation
Furniture Forensics: Tool Marks As Evidence
Case Studied in Basketry Repair: Two Abenaki Splint Baskets.Resistance of Digitally and Traditionally Printed Materials to Bleed, Delamination, Gloss Change, and Planar Distortion During Flood.Effects of Low-Oxygen Environments in the Light Fading of S
